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Wednesday, May 31, 2023

MAINSTREAM REPORT--Mutual Assured Destruction--ON THE BEACH (1957)


MAINSTREAM--"On the Beach," Nevil Shute, 1957

On the Beach, a novel by Nevil Shute, Wm Morrow & Co., New York, 1957


The Author


     Born on 17 January 1899 in Ealing, London. After attending the Dragon School and Shrewsbury School, he studied Engineering Science at Balliol College, Oxford. He worked as an aeronautical engineer and published his first novel, Marazan, in 1926. In 1931 he married Frances Mary Heaton and they went on to have two daughters. During the Second World War he joined the Royal Navy Volunteer Reserve where he worked on developing secret weapons. After the war he continued to write and settled in Australia where he lived until his death on 12 January 1960. His most celebrated novels include Pied Piper (1942), No Highway (1948), A Town Like Alice (1950) and On the Beach (1957).


The Era


     In the late 1950s, when the novel was published, the Cold War was being waged on many fronts; in space with the launch of the first orbiting satellite, “Sputnik,” by the USSR; in Berlin with the infamous Wall, in the United Nations as the Soviet Union’s Nikita Khrushchev, pounded a shoe on the podium and shouted, “We will bury you!” and at Yucca Flats, Nevada, with above ground atomic bomb testing. These routine atmospheric blasts, and the fallout clouds that accompanied them, set the stage for “On the Beach,” for it is in the mushroom clouds the end of the human race is spelled out in no uncertain terms from the beginning of the novel to its conclusion.


The Characters


Dwight Towers - Captain of the American nuclear submarine. Dwight is a practical, rational man, he continues to believe that his family is still alive. 
Moira Davidson - Single socialite young woman, dances and drinks as approaching radiation means she won’t fulfill her dreams. 
Peter Holmes - A lieutenant commander in the Royal Australian Navy. He fears a mission at sea would mean his wife and young baby may not be alive when the ship returns to Australia. 
Mary Holmes - Peter's wife. she refuses to accept that her world is coming to an end. 
 John Osborne - Scientist with CSIRO, the Commonwealth Scientific and Industrial Research Organization, faces the reality of his impending death. He is assigned to the mission the submarine makes and later participates in a road race in his Ferrari. There are others, most of whom play some important part of the story, but the main plot is centered around this ensemble cast with no real main character(s) assuming lead roles.

The Story


     Dwight Towers is the last US Navy commander and arrives in Melbourne because the Northern Hemisphere has been contaminated with radiation and everybody north of the equator has perished in several thousand atomic detonations. The fallout cloud slowly descends south toward Australia and those who remain alive count the days until their assured deaths. 
      Day to day existence goes on as normal people consider planting flowers, going on their vacations and shopping as if nothing was going to happen. In the meantime, unexpected developments create a set of circumstances that affect all of the characters in the ensemble. Towers is ordered to sail to Seattle where a mysterious Morse code signal has been retransmitted continuously but with no intelligible meaning. It didn’t make sense. 
     The submarine, the USS Scorpion, nuclear powered, had the capability to stay underwater long enough to make the journey up the Australian coast to check on the progress of the deadly cloud closing in on Melbourne, enroute to Washington state where the signal was being transmitted. Peter Holmes and John Osborne were both tasked to go along on the mission to gather data for the Australian navy. 

Moira


     The socialite Moira Davidson refuses to accept her fate as Dwight attempts to explain to her in detail the problem. 
      “There never was a bomb dropped in the Southern Hemisphere,” she said angrily. “Why must it come to us? Can’t anything be done to stop it?” He shook his head. 
     “Not a thing. It’s the winds. It’s mighty difficult to dodge what’s carried on the wind.” “It’s not so difficult to understand, really,” he said. 
     “In each hemisphere the winds go around in great whorls, thousands of miles across, between the pole and the equator. There’s a circulatory system of winds in the Northern Hemisphere and another in the Southern Hemisphere. But what divides them isn’t the equator that you see on a globe. It’s a thing called the Pressure Equator, and that shifts north and south with the season. 
     In January the whole of Borneo and Indonesia is in the northern system, but in July the division has shifted away up north, so that all of India and Siam, and everything that’s to the south of that, is in the southern system. So, in January the northern winds carry the radioactive dust from the fall-out down into Malaya, say. Then in July that’s in the southern system, and our own winds pick it up and carry it down here. That’s the reason why it’s coming to us slowly.”
 
     She turned to him in the starlight. “I’m never going to get outside Australia. All my life I’ve wanted to see the Rue de Rivoli. I suppose it’s the romantic name. It’s silly, because I suppose it’s just a street like any other street. But that’s what I’ve wanted, and I’m never going to see it. Because there isn’t any Paris now, or London, or New York.” 
       He smiled at her gently. “The Rue de Rivoli may still be there, with things in the shop windows and everything. I wouldn’t know if Paris got a bomb or not. Maybe it’s all there still, just as it was, with the sun shining down the street the way you’d want to see it.” She got restlessly to her feet. 
      “That’s not the way I wanted to see it. A city of dead people.”


Seattle


Dwight went forward and found Lieutenant Sunderstrom sitting in the radiation suit complete but for the helmet and the pack of oxygen bottles, smoking a cigarette. 

     “Okay, fella,” he said. “Off you go.” He went upstairs and found the main transmitting room. There were two transmitting desks, each with a towering metal frame of grey radio equipment in front of it. One of these sets was dead and silent, the instruments all at zero. The other set stood by the window, and here the casement had been blown from its hinges and lay across the desk. 
     One end of the window frame projected outside the building and teetered gently in the light breeze. One of the upper corners rested on an overturned Coke bottle on the desk. The transmitting key lay underneath the frame that rested unstably above it, teetering a little in the wind. He reached out and touched it with his gloved hand. The frame rocked on the transmitting key, and the needle of a milli-ammeter upon the set flipped upwards. He released the frame, and the needle fell back.

The End        


     Following a rather exciting road race in which Osborne is the victor, the novel comes to a close with all of the characters given a choice in how they want to face the end. The first option is to wait it out and suffer the effects of a terminal dose of radiation, which the author shares in a detailed description. The second option is far more acceptable in the form of cyanide pills neatly packaged to soothe the nerves. 
     As the cloud descends, the lines get longer at the locations where the pills are being distributed. The Holmes are forced to decide how to take the life of their newborn child before taking their own. Moira also accepts her fate stoically and Commander Towers has made the decision to take the USS Scorpion out to sea and with the crew on board, sink it. His crew agrees to go down with the ship. Moira watches from her car on a cliff as the submarine sails away, then takes the pill.

Analysis


     IMAGE: The novelist creates striking scenes throughout, with detailed descriptions of not just ordinary life as the cloud slowly descends on southern Australia, but the complexity of the surviving military staff to understand its implications. 
     The mission to Seattle is a stark and intriguing center point of the novel that illustrates fate at its finest hour, the Morse code key with the ghost radioman in the form of a dangling windowsill. Note here that the feature-length film directed by Stanley Kramer and released in 1959 by United Artists failed to capture the essence of this most striking imagery of the entire novel, opting for the coke bottle variation instead. It was impossible to recreate visually, only in fictionalized writing.         

     VOICE: The characters clearly show mixed emotions throughout the novel, as seen in the brief scene featuring Dwight Towers and Moira Davidson. The sub commander trying to calm the socialite who is hysterical because she has never been to Paris and now can never go. It stands as a chilling reminder just how quickly fate can turn against even the most self-assured person. 
     CHARACTER: Although many of the ensemble principals appear a little too predictable and stock, they all have moments of expressing their emotions, self-doubts, shortcomings with facing an unfulfilled life. They blame everyone but themselves for the impending doom, especially those who lived in the Northern Hemisphere, where the war began. Others, such as the higher echelon military characters, remain cool headed, still searching for solutions until the very end, knowing all too well there isn’t one. 
      SETTING: Faraway places devastated by thousands of atomic detonations are brought to life and reflected diametrically opposite to the serenity of Australia, the last bastion for humanity. The ominous cloud hangs over not just most of the world but also in the minds of those few remaining who are doomed by its semi-invisible presence, read on a Geiger counter. 
     RESOLUTION: The novel ends predictably with the last of the ensemble one by one signing off. 


Credits

Bio & Photo, http://www.nevilshute.org/ 
Sputnik, https://www.razorrobotics.com/russians-launch-sputnik-satellite-into-space/ 
Berlin Wall, https://news.usc.edu/71860/remembering-the-night-the-berlin-wall-went-up-and-when-it-came-down/ 
Khrushchev, https://writingqueen.wordpress.com/2018/04/30/global-communication-today/ 
A-bomb photo, https://www.mun.ca/biology/scarr/A-bomb_testing_1957.html 
Character Review Notes (edited), https://www.sparknotes.com/lit/onthebeach/characters/ Story Summary (edited), https://www.enotes.com/topics/beach 
On The Beach, e-Pub, https://www.fadedpage.com/showbook.php?pid=20131214 
Coke Bottle, http://mark-markmywords.blogspot.com/2014/09/movie-review-stanley-kramers-on-beach.html 
Film Poster, http://www.gstatic.com/tv/thumb/v22vodart/3072/p3072_v_v8_aa.jpg


Wednesday, February 22, 2023

ANTH281.1001--Communicative practices of Las Vegas casino workers--UNR, SPRING, 2023



Anthropology 281.1001: Research Assignment: University of Nevada, Reno, Spring 2023


Communicative practices of Las Vegas casino workers:

1. Describe the linguistic and ethnographic considerations for the project

     In order to get an idea of the breakdown of casino employees by demographics, the US Bureau of Labor Statistics (BLS) page was examined. This is helpful not just for the particular employment of the individuals, but for backgrounds as well. Categories include but are not limited to gambling dealers (39-3011), slot mechanics, bartenders (35-3011), cocktail waitresses (35-3031) , restaurant employees, housekeeping (37-2012), security guards (33-9032), and upper management. The numbers in parentheses represent the BLS occupational codes. Apparent from this data is that close ethnographic scrutiny will be dependent on a number of factors, due to a crossover effect.  

     Cocktail waitresses may work in several venues of the casino such as the main floor, restaurants, showrooms, and lounges where interaction between customers and employees of each venue may be remarkably different. This could add to, but also take away from getting accurate data on the interaction. By contrast, other employees such as bartenders, barbacks, change booths, cashiers cages, gambling tables and pit bosses may have a more static assignment in the casino. Interaction between coworkers may be lessened to a greater degree than that with customers. Housekeeping, room cleaners would have a greater interaction with their own staff and less with customers. Restaurant employees would have somewhere in between an equal balance in contact with both coworkers and diners, except possibly those in the scullery, dishwashers. 

     The first part of the ethnographic study, then, would be to design a scenario that would maximize interaction in the target research. Since it is casino oriented, housekeeping and restaurant would not be as ideal as the gambling tables, poker rooms and sports books. A glossary of casino slang would be helpful to get a background of what to expect in the language shortcuts used by the various actors, and can be found at Casino.org “Gambling Terms and Glossary Guide.” Of course, this is more or less an official, or prescriptive approach, not necessarily descriptive where individual employees, depending on their backgrounds, have developed their own casino lingo using terms relevant to their ethnicity: “code switching.” 

     “Experience everything you love about Paris, right in the heart of the Strip.” What better place to create an ethnographic research project than Paris Las Vegas. This particular casino was selected for its appeal to not just foreign clientele, but to workforce diversity as well. Its exterior, with a mini-Eiffel Tower and other iconic landmarks of the capital of France, creates a cultural aura on the Vegas strip unparalleled by other establishments. It therefore offers the possibility of that very cultural diversity unique to Europe and a challenge to the ethnographer looking to research its appeal and linguistic variation not just to tourists, but to its employees.

     The casino boasts 130 gaming tables and 1,700 slot machines. The tables offer blackjack, roulette and craps. The Race and Sportsbook has not just professional athletics but horse racing as well. One room offers Pai-Gow Poker. Fueling this enterprise is spirits, drinks, and the interaction between bartenders, barbacks and cocktail waitresses is rivaled only by activity in the restaurants. It is here that a great deal of ethnic and linguistic diversity, non-prescriptive grammar, signal and symbol shortcuts and shorthand will be found in quality, and quantity. 


2. Generate 3 research questions:

a.) What is the most common drink that creates confusion not just between the customer and the employee, but between employees themselves?

b.) How much shorthand/invented language goes into the drink order from a large party at a gaming table? Please provide examples.

c.) What are some of the linguistic requirements for a position as cocktail waitress or bartender at Paris Las Vegas? Is fluency in a second language necessary, and if so, which one? What are the common second languages of the employees in the Food and Beverage Department?


3. What methods will you use to answer these questions? And specifically, what kind of data will you collect to analyze?

a.) Interview: The most direct method is to ask questions. In the hustle and bustle of the casino environment, employees have little time to chat about their jobs, their feelings and discourse with those in their surroundings. In addition, management may frown upon someone asking too many questions.

b.) Observation: This includes both watching and hearing what’s going on in the surroundings. An ideal method is to sit close to the cocktail station at the bar where all kinds of information in the interchange between the waitresses and bartenders can be recorded; there are also house telephones located near those stations.

c.) Data: Looking for abbreviated terms, linguistic shortcuts, unintelligible chatter among the staff will establish the indispensable bartender-busboy-waitress lexicon that keeps the drinks flowing to the customers. Comparing that to the downtime between the rushes will contribute to that particular culture and how it operates effectively under all conditions.  


4. What ethical considerations with your project must you consider? How will you account for these ethical issues?

     Scott Roeben gives pointers on how to take photos, videos and audios in casinos. It’s not illegal but it can certainly create problems for the ethnographer in getting accurate statements from employees. Surveillance systems and security personnel are constantly observing clientele for any and all violations of casino policy; not just for the sake of security, but Nevada gaming laws as well. Clearing the project with management might be the best approach but there’s no guarantee that it will give desired results. Spontaneity is always more desirable for a field study; prepared, rehearsed responses remove a great deal of authenticity to the results.  Employees can be suspicious of interviews and observations for a number of reasons. Bartenders and cocktail waitresses might suspect that someone making inquiries about their activities is from the IRS looking to investigate unreported tips. Discretion and consideration for employees needed in the research project is the number one priority.